Showing posts with label Natan H. Show all posts
Showing posts with label Natan H. Show all posts

Monday, 24 March 2014

Various Artists - Kiss The Sun - Batti Batti Records



Just like the most successful football squads, there is strength in depth at Batti Batti Records. Each release is cohesive, coherent and collectively classy no matter what the line-up due in no small dose to the formidable backbone of the outfit formed by irrepressible label boss Owen Jay and his gifted long-time collaborator Melchior Sultana.



So why change a winning formula? Thankfully they haven't and this the Maltese imprint's sixth outing is as on-point and essential as the previous five must-have releases. Deeper heads will also be delighted to discover that the Kiss The Sun ep not only features the return of Natan H and Brian James to the Batti Batti fold but also the welcome addition of Ernie from the truly wonderful Minuendo Recordings. The deep house force in the Mediterranean is clearly strong and the links forged lately between Malta and Madrid have resulted in the link-up with Mr Minuendo himself.

And it is indeed Ernie who opens up this four-track beauty in style. Hoth Stuff is hot stuff and pure Ernie; chunky, funky, soulful and with plenty of dancefloor nous. The man from Madrid knows how to push all the right buttons when it comes to grooves of a deeper inclination and this is no exception.

The eponymous title-track from Brian James, a compatriot of Jay and Sultana and a man who really seems to be hitting his stride as a producer, is every bit as infectious and even more fantastically heads-down and groovy, a real gem.

Label stalwarts, the midfield generals of Batti Batti, Owen and Sultana do what they do best with their offering Contrasts, which again features the vocal talents of Mykle Anthony; beauteous, sun-drenched vibes that shimmer and shine and that you hope will never come to an end. Sublime from first groove 'til last.

Back on the team is the consistently-excellent American producer Natan H, who made his label debut back on BBR02. Inspired by a trip to Israel, his cut Negev has quality oozing from every note, as deep and dark as house can get whilst remaining head-noddingly and foot-tappingly exciting and inspiring. An awesome foursome from Batti Batti yet again.

Friday, 14 February 2014

Various Artists - Sunken Guidance - Appian Sounds





Five releases and counting for Appian Sounds and head-honcho Al Blayney’s A&R skills and powers of persuasion are still sharper than Julie Burchill’s tongue. Having secured highly-desirable releases already from Ethyl & Flori, Eduardo de la Calle, LAAK and others, Appian is bang with a bomb from four more sought-after debutants.

There’s a first time outing for the much-talented and erudite young American Natan H, who has popped up in the last few years on other on-trend labels such as Ethereal Sound, Batti Batti and George Fitzgerald’s ManMakeMusic. Here with VX407 Natan is again on form, this time with a more contemplative Detroit techno offering than of late. Dominated by waves of glistening synths undulating throughout and set against a broken and not too heavy-handed kick, the track is superbly subtle, simple and sublime.

In many respects, Starling Dance is of a similar genus. Produced by the excellent Irish producer Leonid (real name Paul Smith), the cut relies heavily on atmosphere and emotion, the bass a delicately restrained yet much-apparent force resulting in a track that is near-on as good as anything produced by Smith previously. And that’s saying something for a man who has previous with Sistrum and Dolly.

New York starlet Joey Anderson’s Dormency, however, strays into much darker territory. The former dancer’s track creeps, crackles and slithers menacingly and magnificently with little more than a distant bittersweet melody for company. Prima facie evidence of why Levon Vincent, Jus-Ed and DJ Qu rate him so highly.

Fellow New Yorker DJ Spider’s Anticipate The Wolves is, as might be expected of the man, more muscular and direct. Yet there is something decidedly funky about the piece despite the trademark sonic assault, with the plangent bells, reverb and general aural fog very much adding to rather than detracting from the overall vibe. A high five for Appian.