EWAN Jansen first caught my attention with the
deep-as Blueline Summer long-player
on the influential Moods & Grooves some tens ago or so. But he’d already
been quietly making his mark for a number of years before that with appearances
on the likes of Track Mode, Deep4Life and his own Red Ember Records.
Then nothing. Not a peep out of the Australian
producer. That was until last year when he popped up with new material on the
German collective Hardworksoftdrink. That was quickly followed by a slew of
fresh EPs on Adelaide Soundworks, Going Good and Inner Balance.
And now it has also signalled a revival of Red Ember after
a 15-year hiatus with the Perth-based Jansen re-launching the imprint with the
formidable solo EP Aqua Libre.
Opener
and aforementioned title track, Aqua Libre, is
dusted liberally with the feel-good factor, a hearty, honest and warming track with little
in the way of pretention but a whole lot of uplift and joy. It’s one to put a smile
on even the most sour and curmudgeonly of faces. Following swiftly in its wake
is Plankton, in many ways a just as
pleasurable and rewarding hunk of deepness but with a more muscular groove.
Freckles is no makeweight
either, a stirring and emotionally-charged little number with a light touch of
disco laced around its edges.
Yet despite the considerable craft and quality of
these three, for my taste at least it is the closing cut – how often does that
happen? – Castel that nigh on steals
the show. It’s a real beauty, spacey, blissful and with that emotional content
that both Moodymann and Keith Worthy spoke of.
With more goodies in the pipeline, notably the forthcoming Return To Hyperbola EP on the ever-excellent Inner Shift, it’s a welcome return. I have no idea where Mr Jansen has been, but I’m sure glad he’s back.
Check out:
With more goodies in the pipeline, notably the forthcoming Return To Hyperbola EP on the ever-excellent Inner Shift, it’s a welcome return. I have no idea where Mr Jansen has been, but I’m sure glad he’s back.
Check out:
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